Sunday, May 23, 2010

This Was No Boat Accident

Two posts in one day, which is more than I do in a year. What could have brought on this case of blog rage?

The Simpsons jumping the shark.

I know that I'll probably be in the minority here. A lot of people still hold The Simpsons in high regard, although a lot of people feel that the show is well past its golden age. I really didn't fit in either camp until To Surveil, With Love

Lip sync the opening to a Kesha song? Matt Groening and the gang have both influenced and lampooned pop culture for two decades now, but with this they cross over to the other side of the street, begging the popular kids to sit at their lunch table.

The Simpsons started out as part of a struggling Fox network (indeed it propped up Fox at one point). They were the unruly brats of TV, such an ingrained part of pop culture that even heads of state couldn't help but put in their two bits (I'm looking at you, Herbert Walker). After twenty years, they are now middle aged gazillionaires, and the writing staff alumni has gone on to run their own shows for wads of cash as well (and, of course, rule late night TV). No longer the bad boys, they now find themselves to be "The Man".

They could have parodied the song, or even the whole instant pop diva culture that the music business has devolved into. But sadly, they spent a kings ransom to animate their opening to a popular but eventually forgettable song from a soon to be forgettable singer. Ten years from now, is this idea going to seem as good as it was in the writing room, or is it going to be a "oh no, how did we ever think this song was cool?" moment. If they had done this 13 years ago to "Tubthumping" by Chumbawamba we'd be looking at the tape today and howling with derisive laughter.

Losing the show's pathos was sad. Losing the show's satirical edge is pathetic.

KGH

MTV, The Blind Hog, and the Acorn

MTV used to be Music Television. I think. Just out of college when it originally booted in 1981 I was already too old for their demographic, so I was aware but not much enamored of it.

MTV networks has changed identities many times since then, like a cable channel that's part of the federal witness protection program. (Ack! Someone over 25 is watching! Hide us!). But somewhere along the line they actually got something right. A program that wasn't aimed at a strictly male demographic, skewed over their age target audience, and was blissfully absent of any mention of anything Jersey--bovine or otherwise.

Daria was a non-spin-off spin-off of
Beavis and Butt-head and was the only other product of MTV animation that lasted more than a season or two. It was so far afield from everything else on the channel that it is a wonder that it lasted for 5 seasons. (IMHO it was the injection of the "song of the week" into the soundtrack of the show that made it valuable to the network as a marketing tool--sort of a non music video music video. )

Some die-hard fans are unhappy about the music changes, a result of exorbitant fees for music licensing, but I'm not one of them. My opinion: striping the show of the original music is an IMPROVEMENT. It allows the show to live up to the timelessness of the characters and stories, and not be bogged down in a retro version of Name That Tune.

The complete Daria is out on DVD, at long last struggling free of the RIAA straight jacket. I think it ranks alongside King of the Hill as proof that animation is as powerful a storytelling device as any three camera brain burp currently broadcast today.

KGH

P.S. WKRP was devastated by the removal of the original music. Hypocrisy on my part? Hardly. WKRP was a show about a small top 40 radio station, not about a small generic elevator music radio station.

LKF Although B&BH was a creation of Mike Judge, the character of Daria was created by staff writers at MTV working on B&BH. Mike Judge gave permission for the spin-off but had no hand in the creation or execution of Daria.

Wednesday, May 19, 2010

Twitter is the New Black, and I Have No Idea What That Means

Keeping up with the kids and their darn loud music and hoola hoops is an avocation of mine. The technology advantages they have today--texting to alleviate the boredom of driving, email so they can help poor Nigerian princes with their finances, Double Stuff Oreos for, well, just 'cause they're there.

Granted, keeping my toe in all this technology has left me puzzled. This amazingly erudite blog, for instance, averages .34 hits per month, which probably means that some guy reads it but doesn't pay full attention. Facebook seems like a wonderful place if you're interested in cyber farming or acting out your Sopranos fantasies.

And then there is Twitter. I hear that people on twitter have thousands (some even millions) of followers. So I instinctively got an account and waited for the masses to follow the missives generated by my never ceasing data mining of my Science Fiction DVD/Bluray collection.

For example.

LKF-- in 1st draft of 2001:ASO Dave Bowman's last word; " My god! Its full of ham!"

And this.

LKF--James T. Kirk's favorite method of computercide was the phaser (60%). Talking them to death was a distant 2nd at 40%.


You can't just wander over to the guys dozing off at the Genius Bar in your nearest Apple store to get this info.

Still, I figure that all those big twitter accounts had to start with just the one follower. I mean, for months and months, just the one follower. Right?

Just a thought.

KGH

P.S. LKF "Little Known Fact". Sorry for the confusion.